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Fair Copy - Relational Poetics and Antebellum American Women's Poetry (Hardcover)
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Fair Copy - Relational Poetics and Antebellum American Women's Poetry (Hardcover)
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In Fair Copy Jennifer Putzi studies the composition, publication,
and circulation of American women's poetry in the antebellum United
States. In opposition to a traditional scholarly emphasis on
originality and individuality, or a recovery method centered on
author-based interventions, Putzi proposes a theory and methodology
of relational poetics: focusing on poetry written by working-class
and African American women poets, she demonstrates how an emphasis
on relationships between and among people and texts shaped the
poems that women wrote, the avenues they took to gain access to
print, and the way their poems functioned within a variety of print
cultures. Yet it is their very relationality which has led to these
poems and the poets who published them being written out of
literary history. Fair Copy models a radical reading and recovery
of this work in a way that will redirect the study of
nineteenth-century American women's poetry. Beginning with Lydia
Huntley Sigourney and ending with Elizabeth Akers Allen and Frances
Ellen Watkins Harper, Putzi argues that relational practices like
imitation, community, and collaboration distinguished the poetry of
antebellum American women, especially those whose access to print
was mediated by class or race. To demonstrate this point, she
recovers poetry by the "factory girls" of the Lowell Offering,
African American poet Sarah Forten, and domestic servant Maria
James, whose volume Wales, and Other Poems was published in 1839.
Putzi's work reveals a careful navigation of the path to print for
each of these writers, as well as a fierce claim to poetry and all
that it represented in the antebellum United States.
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