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The Parisian Avant-Garde in the Age of Cinema, 1900-1923 (Paperback)
Loot Price: R1,090
Discovery Miles 10 900
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The Parisian Avant-Garde in the Age of Cinema, 1900-1923 (Paperback)
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The first decades of the twentieth century were pivotal for the
historical and formal relationships between early cinema and
Cubism, mechanomorphism, abstraction, and Dada. To examine these
relationships, Jennifer Wild's interdisciplinary study grapples
with the cinema's expanded identity as a modernist form defined by
the concept of horizontality. Found in early methods of projection,
film exhibition, and in the film industry's penetration into
cultural life by way of film stardom, advertising, and
distribution, cinematic horizontality provides a new axis of
inquiry for studying early twentieth-century modernism. Shifting
attention from the film to the horizon of possibility around,
behind, and beyond the screen, Wild shows how canonical works of
modern art may be understood as responding to the changing
characteristics of daily life after the cinema. Drawing from a vast
popular cultural, cinematic, and art-historical archive, Wild
challenges how we have told the story of modern artists' earliest
encounter with cinema and urges us to reconsider how early
projection, film stardom, and film distribution transformed their
understanding of modern life, representation, and the act of
beholding. By highlighting the cultural, ideological, and artistic
forms of interpellation and resistance that shape the phenomenology
of a wartime era, The Parisian Avant-Garde in the Age of Cinema,
1900 1923 provides an interdisciplinary history of radical form.
This book also offers a new historiography that redefines how we
understand early cinema and avant-garde art before artists turned
to making films themselves.
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