In this set of thorough and revisionary readings of Percy Bysshe
Shelley's best-known writings in verse and prose, Hogle argues that
the logic and style in all these works are governed by a movement
in every thought, memory, image, or word-pattern whereby each is
seen and sees itself in terms of a radically different form. For
any specified entity or figure to be known for "what it is," it
must be reconfigured by and in terms of another one at another
level (which must then be dislocated itself). In so delineating
Shelley's "process," Hogle reveals the revisionary procedure in the
poet's various texts and demonstrates the powerful effects of
"radical transference" in Shelley's visions of human possibility.
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