The book features an in-depth analysis of pre-modern Chinese
discourses on artistic style especially the concept of
Vitality-Charm ( ). Adopting an interdisciplinary approach, the
book examines Vitality-Charm and related topics from the
perspectives of aesthetics, stylistics, semiotics, cosmology, art
history, and socio-cultural history. It reviews the development of,
and examines the relations between, the concepts of poetic vision,
spiritual resonance, spiritual expressiveness, Vitality-Charm and
so on in the tradition of Chinese art (including literature, music,
dancing, and drama). The book also attempts to clarify confusions
caused by the overlapping and indistinct demarcations between the
concepts when they are used in the discourse of, and even the
training of art - especially traditional Chinese art.
General
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