A first collection of 12 stories, winner of the Iowa Short Fiction
Award for 1997. Henry's young characters decry the existential
angst of the generation that preceded theirs, and yet often end up
embracing it. In "Mouthfeel," for instance, a married couple seems
to have a happy future, until the wife begins to see pointlessness
all around her and goes mad - the implication seeming to be that
madness may be a sane response to a culture obsessed with
throw-away goods, meaningless sex, and money that can never buy
happiness. In the strange "Motherhurt," Henry highlights depression
in ordinary surroundings by wildly exaggerating the rituals that
families go through to cheer up their own - in this case, a mother.
The rituals begin to seem extreme, even bizarre. Henry appears to
want to argue that insanity is only what we say it is, and that
"normal" behavior is never far from insanity. "Congressman
Spoonbender," told in an exact, detached style, concerns an aging
congressman who's losing his sense of purpose. He calls his
mistress back in Ohio, who's drunk and getting drunker, to find his
bearings, but she can't help, can't even understand him. Finally,
Henry takes a rather maudlin turn in "The Prodigal Corpse," in
which the narrator's father returns from the grave to make a few
astringent comments about life and death and to settle one score
with his wife, who for 20 years was afraid of the word "penis."
After he's made her say the word, he's content to return to the
grave. Ann Beattie, final judge for the award, compares Henry's
sense of humor to Donald Barthelme's, and there is indeed a kind of
skewed, grim, and even misanthropic comedy lurking here that may be
what gives most promise to this debut. (Kirkus Reviews)
Jim Henry's stories defy convention. There are no easy answers,
no quick fixes. Although the plots varyOCofrom a corpse returning
to visit his family weeks after his burial, to the musings of a
congressman grappling with the weight of history, to a wealthy
family's elaborate plot to cheer their mysteriously wounded
motherOCoall express a sense of the extraordinary in the ordinary,
the absurd in the everyday.
Henry's characters are for the most part misfits, outsiders
looking in on a world whose seemingly natural order is turned
upside down. In a throw-away culture obsessed with sex and drugs,
money and God, they struggle to connect with what is real while
trying to convince themselves that anything is. And yet in the
midst of their existential searching there remains always Henry's
quirky sense of humor. As one character says, OC Anything is
possible, OCO and in this collection anything and everything
happens."
General
Imprint: |
University of Iowa Press
|
Country of origin: |
United States |
Release date: |
October 1997 |
First published: |
October 1997 |
Authors: |
Jim Henry
|
Dimensions: |
139 x 235 x 17mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
152 |
Edition: |
New |
ISBN-13: |
978-0-87745-610-0 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-87745-610-0 |
Barcode: |
9780877456100 |
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