In seventeenth-century England, intellectuals of all kinds
discovered their idealized self-image in the Adam who investigated,
named, and commanded the creatures. Reinvented as the agent of
innocent curiosity, Adam was central to the project of redefining
contemplation as a productive and public labor. It was by
identifying with creation s original sovereign, Joanna Picciotto
argues, that early modern scientists, poets, and pamphleteers
claimed authority as both workers and public persons.
Tracking an ethos of "imitatio Adami" across a wide range of
disciplines and devotions, Picciotto reveals how practical efforts
to restore paradise generated the modern concept of objectivity and
a novel understanding of the author as an agent of estranged
perception. Finally, she shows how the effort to restore Adam as a
working collective transformed the corpus mysticum into a public.
Offering new readings of key texts by writers such as Robert Hooke,
John Locke, Andrew Marvell, Joseph Addison, and most of all John
Milton, "Labors of Innocence in Early Modern England" advances a
new account of the relationship between Protestantism, experimental
science, the public sphere, and intellectual labor itself.
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