Anglo-Ghanaian film maker John Akomfrah's experimental documentary
essay uses an abstract montage of archive material, landscape
photography and literary reference to explore themes of immigration
and identity. In an attempt to portray the disorientating
experiences of those who migrated to Britain from the colonies in
the years following the Second World War, the film draws on the
Nine Muses from Homer's Odyssey as a structural device, and is
divided into nine parts, one for each of the artistic muses.
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