First published in 1980. At their most successful, Shakespeare's
styles are strategies to make plain the limits of thought and
feeling which define the significance of human actions. John Baxter
analyses the way in which these limits are reached, and also
provides a strong argument for the idea that the power of
Shakespearean drama depends upon the co-operation of poetic style
and dramatic form. Three plays are examined in detail in the text:
The Tragedy of Mustapha by Fulke Greville and Richard II and
Macbeth by Shakespeare.
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