Alfred Hitchcock's Rear Window is one of the icons of American
filmmaking. A perfect example of Hollywood cinema at its best, it
is an engaging piece of entertainment as well as a fascinating
meditation on the nature of the film itself. A suspense thriller
about a chair-bound observer who suspects his neighbour of
murdering his wife, the narrative becomes the vehicle for
Hitchcock's exploration of the basic ingredients of cinema, from
voyeurism and dreamlike fantasy to the process of narration itself.
This volume provides a fresh analysis of Rear Window, which is
examined from a variety of perspectives in a series of essays
published here for the first time. Providing an account of the
actual production of the film, as well as feminist and cultural
readings of it, it also demonstrates the influence of Rear Window
on a wide range of filmmakers, including Antonioni, De Palma, and
Coppola.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Film Handbooks |
Release date: |
September 1999 |
First published: |
2000 |
Editors: |
John Belton
|
Dimensions: |
235 x 157 x 17mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
191 |
ISBN-13: |
978-0-521-56423-6 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
Promotions
|
LSN: |
0-521-56423-9 |
Barcode: |
9780521564236 |
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