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Blue-Collar Hollywood - Liberalism, Democracy, and Working People in American Film (Hardcover) Loot Price: R1,126
Discovery Miles 11 260
Blue-Collar Hollywood - Liberalism, Democracy, and Working People in American Film (Hardcover): John Bodnar

Blue-Collar Hollywood - Liberalism, Democracy, and Working People in American Film (Hardcover)

John Bodnar

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Loot Price R1,126 Discovery Miles 11 260 | Repayment Terms: R106 pm x 12*

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From Tom Joad to Norma Rae to Spike Lee's Mookie in "Do the Right Thing," Hollywood has regularly dramatized the lives and struggles of working people in America. Ranging from idealistic to hopeless, from sympathetic to condescending, these portrayals confronted audiences with the vital economic, social, and political issues of their times while providing a diversion--sometimes entertaining, sometimes provocative--from the realities of their own lives.

In "Blue-Collar Hollywood," John Bodnar examines the ways in which popular American films made between the 1930s and the 1980s depicted working-class characters, comparing these cinematic representations with the aspirations of ordinary Americans and the promises made to them by the country's political elites. Based on close and imaginative viewings of dozens of films from every genre--among them "Public Enemy," "Black Fury," "Baby Face," "The Grapes of Wrath," "It's a Wonderful Life," "I Married a Communist," "A Streetcar Named Desire," "Peyton Place," "Taxi Driver," "Raging Bull," "Coal Miner's Daughter," and "Boyz N the Hood"--this book explores such topics as the role of censorship, attitudes toward labor unions and worker militancy, racism, the place of women in the workforce and society, communism and the Hollywood blacklist, and faith in liberal democracy.

Whether made during the Great Depression, World War II, the Cold War, or the Vietnam era, the majority of films about ordinary working Americans, Bodnar finds, avoided endorsing specific political programs, radical economic reform, or overtly reactionary positions. Instead, these movies were infused with the same current of liberalism and popular notion of democracy that flow through the American imagination.

General

Imprint: Johns Hopkins University Press
Country of origin: United States
Release date: July 2003
First published: 2003
Authors: John Bodnar
Dimensions: 229 x 152 x 28mm (L x W x T)
Format: Hardcover
Pages: 328
ISBN-13: 978-0-8018-7149-8
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Social sciences > Sociology, social studies > Social groups & communities > Social classes > General
LSN: 0-8018-7149-2
Barcode: 9780801871498

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