From Tom Joad to Norma Rae to Spike Lee's Mookie in "Do the
Right Thing," Hollywood has regularly dramatized the lives and
struggles of working people in America. Ranging from idealistic to
hopeless, from sympathetic to condescending, these portrayals
confronted audiences with the vital economic, social, and political
issues of their times while providing a diversion--sometimes
entertaining, sometimes provocative--from the realities of their
own lives.
In "Blue-Collar Hollywood," John Bodnar examines the ways in
which popular American films made between the 1930s and the 1980s
depicted working-class characters, comparing these cinematic
representations with the aspirations of ordinary Americans and the
promises made to them by the country's political elites. Based on
close and imaginative viewings of dozens of films from every
genre--among them "Public Enemy," "Black Fury," "Baby Face," "The
Grapes of Wrath," "It's a Wonderful Life," "I Married a Communist,"
"A Streetcar Named Desire," "Peyton Place," "Taxi Driver," "Raging
Bull," "Coal Miner's Daughter," and "Boyz N the Hood"--this book
explores such topics as the role of censorship, attitudes toward
labor unions and worker militancy, racism, the place of women in
the workforce and society, communism and the Hollywood blacklist,
and faith in liberal democracy.
Whether made during the Great Depression, World War II, the Cold
War, or the Vietnam era, the majority of films about ordinary
working Americans, Bodnar finds, avoided endorsing specific
political programs, radical economic reform, or overtly reactionary
positions. Instead, these movies were infused with the same current
of liberalism and popular notion of democracy that flow through the
American imagination.
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