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Manet and the Execution of Maximilian (Paperback)
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Manet and the Execution of Maximilian (Paperback)
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The execution of Emperor Maximilian of Mexico, in 1867, was the
subject of a quartet of paintings by the French Impressionist and
early Modernist Edouard Manet. These works are rarely shown
together, and in fact cannot be seen in their entirety, since one
of them exists only in fragments, but the three intact paintings
and the surviving elements of the fourth are reproduced in this
publication, and will be shown at The Museum of Modern Art's
exhibition in the fall of 2006. Maximilian's death was an event of
great public interest in France, in part because French policies
shared the responsibility for it. A European aristocrat of the
Hapsburg family, Maximilian had been installed in 1864 after a trio
of European powers, led by Napoleon III of France, mounted an
invasion of Mexico to reclaim debts upon which the Mexican
government had suspended payment. But Napoleon soon withdrew,
abandoning Maximilian to his fate at the hands of a resurgent
Mexican army. As news of the execution reached Paris, Manet reacted
with a group of works synthesizing the information as it came to
him and drawing heavily on an earlier painting inspired by violent
political events, Goya's The Third of May. In addition to analyzing
and documenting the creation of these works, John Elderfield, in
his text, clarifies their historical importance in the context of
modern art, and in so doing, offers a capsular history of the place
of current events in art.
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