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Music To-day (Paperback)
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Music To-day (Paperback)
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John Foulds was born in Manchester in 1880. The son of a bassoonist
in the Halle Orchestra, he composed copiously from childhood.
Initially an orchestral 'cellist, he soon left the Halle to
concentrate on composition. His first successes were in light
orchestral music, but he later turned to more serious idioms,
finding great acclaim with his A World Requiem (1919-21), composed
in memory of the war dead of all nations. In 1935 he travelled to
India, where he developed an interest in its music and was also
appointed Director of European Music at All-India Radio, Delhi. He
died suddenly from cholera in 1939. His study of contemporary music
and its sources of inspiration, Music To-day, published in 1934,
declared his intellectual openness to the whole gamut of modern
techniques, which he absorbed and employed as the context required.
His most admired contemporaries included Busoni, Scriabin and
Bartok; among English-speaking composers his output has affinities
with Grainger and Holst. The book begins with a conversation
between a Musician of Former Times and a Musician of Today, who
discuss three fragments of music that are printed at the head of
the chapter (all from Foulds' own compositions). The Musician of
Former Times, scratching his head over examples of polytonality,
atonality and the use of microtones concludes "Well, although
interesting, it is all rather confusing.... and I still wish that
composers would say what they have to say in terms which I can
understand." In response the Musician of Today quotes Berlioz
"Music nowadays, in her vigorous youth, is free, is emancipated and
can do what she pleases ... new needs of the mind, of the heart and
of the sense of hearing, make necessary new endeavours." Thereafter
the book veers dizzyingly from modality to Eastern mysticism by way
of abstruse theorizing about the "ensouling of music" and an art of
the future that would be perceived by all senses at once. Foulds
concludes by quoting the Swiss philosopher Henri Frederic Amiel:
"Music is harmony, harmony is perfection, perfection is our dream,
and our dream is heaven."
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