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Percussion - Drumming, Beating, Striking (Paperback)
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Percussion - Drumming, Beating, Striking (Paperback)
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"Percussion" is an attempt--in the author's words--to make sense of
"senseless beating," to grasp how rhythm makes sense in music and
society. Both a scholar and a former professional drummer, John
Mowitt forges a striking encounter between cultural studies and new
musicology that seeks to lay out the "percussive field" through
which beating--specifically the backbeat that defines early
rock-and-roll--comes to matter for raced, urban subjects.
For Mowitt, percussion is both an experience of embodiment--making
contact in and on the skin--and a provocation for critical theory
itself. In delimiting the percussive field, he plays drumming off
against the musicological account of the beat, the sociological
account of shock and the psychoanalytical account of fantasy. In
the process he touches on such topics as the separation of slaves
and drums in the era of the slave trade, the migration of rural
blacks to urban centers of the North, the practice and politics of
"rough music," the links between interpellation and possession, the
general strike, beating fantasies, and the concept of the "skin
ego."
"Percussion" makes a fresh and provocative contribution to cultural
studies, new musicology, the history of the body and critical race
theory. It will be of interest to students of cultural studies and
critical theory as well as readers with a serious interest in the
history of music, rock-and-roll and drumming.
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