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Semi-Detached - The Aesthetics of Virtual Experience since Dickens (Hardcover)
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Semi-Detached - The Aesthetics of Virtual Experience since Dickens (Hardcover)
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When you are half lost in a work of art, what happens to the half
left behind? Semi-Detached delves into this state of being: what it
means to be within and without our social and physical milieu, at
once interacting and drifting away, and how it affects our ideas
about aesthetics. The allure of many modern aesthetic experiences,
this book argues, is that artworks trigger and provide ways to make
sense of this oscillating, in-between place. John Plotz focuses on
Victorian and early modernist writers and artists who understood
their work as tapping into, amplifying, or giving shape to a
suspended duality of experience. The book begins with the decline
of the romantic tale, the rise of realism, and John Stuart Mill's
ideas about social interaction and subjective perception. Plotz
examines Pre-Raphaelite paintings that take semi-detached states of
attention as their subject and novels that treat provincial
subjects as simultaneously peripheral and central. He discusses how
realist writers such as Charles Dickens, George Eliot, and Henry
James show how consciousness can be in more than one place at a
time; how the work of William Morris demonstrates the shifting
forms of semi-detachment in print and visual media; and how Willa
Cather created a form of modernism that connected aesthetic
dreaming and reality. Plotz concludes with a look at early cinema
and the works of Buster Keaton, who found remarkable ways to
portray semi-detachment on screen. In a time of cyberdependency and
virtual worlds, when it seems that attention to everyday reality is
stretching thin, Semi-Detached takes a historical and critical look
at the halfway-thereness that audiences have long comprehended and
embraced in their aesthetic encounters.
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