Deco dandy contests the supposedly exclusive feminine aspect of the
style moderne (art deco) by exploring how alternative, parallel and
overlapping experiences of decorative modernism, nationalism,
gender and sexuality in the years surrounding World War I converge
in the protean figure of the 'deco dandy'. The book suggests a
broader view of art deco by claiming a greater place for the male
body, masculinity and the dandy in this history than has been given
to date. Important and productive moments in the history of the
cultural life of Paris presented in the book provide insights into
the changing role performed by consumerism, masculinity, design
history and national identity. -- .
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