This collection includes three previously unpublished works: Jonah,
Top End, and Lost Weekend. They are published together with his
best-known play, The Floating World. Romeril's writing conveys an
immediacy of the times that stems from his beginnings as an
agitprop writer, but he focuses on everyday lives. He sees the
larger world reflected in these lives, using domestic detail and
personal relationships to illuminate the wider society. The plays
in Damage explore the consequences of the stresses and strains of
the twentieth century, in the body politic and also on the
individual.
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