Boldly contesting recent scholarship, Sallis argues that The Birth
of Tragedy is a rethinking of art at the limit of metaphysics. His
close reading focuses on the complexity of the Apollinian/Dionysian
dyad and on the crossing of these basic art impulses in tragedy.
Sallis effectively calls into question some commonly accepted and
simplistic ideas about Nietzsche's early thinking and its debt to
Schopenhauer, and proposes alternatives that are worth
considering.--Richard Schacht, Times Literary Supplement
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