Whose Music? combines historical, musicological, and sociological
materials and styles of analysis in ways that connect to the field
of sociology. The analyses of social class systems presented here
speak in translatable ways to analyses of musical forms. Not only
that, both are connected to an understanding of the organizations
through which works are distributed to their audiences. Perhaps
most importantly for the contemporary reader, this book depicts the
part of the process by which dominant class groups justify their
domination--cultural and otherwise.
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