"East Meets West in Dance" chronicles this development in the words
of many of its best known and most active exponents. This
collection of articles provides a theoretical discussion of the
promises and pitfalls inherent in transplanting art forms from one
culture to another; it offers practical guidance for those who
might want to participate in this enterprise and explains the
general history of the dance exchange to date. It also identifies
the differences that are unique to specific cultures, such as the
development of theatrical forms, arts education, and the status of
artists. This is a first examination of a phenomenon that has
already touched most people in the arts community worldwide, and
that none can afford to ignore.
A lively dialogue has evolved over the last few decades between
dance professionals -- performers, teachers and administrators --
in the United States and Europe and their counterparts in Asia and
the Pacific rim.
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