First published in 1999, this book explores how, from the stone
bridges of neoclassicism which soar out of wild woods to span
pastoral valleys to the post-1750 engineer's bridge with its links
to the more industrial landscape, the bridge was a popular feature
in painting throughout the period 1700-1920. Why did so many
artists choose to portray bridges? In this lavishly illustrated and
intriguing book, John Sweetman seeks to answer this question. He
traces the history of the bridge in painting and printmaking
through a vast range of work, some as familiar as William Etty's
The Bridge of Sighs and Claude Monet's The Railway Bridge at
Argenteuil and others less well known such as Wassily Kandinsky's
Composition IV and C.R.W. Nevinson's Looking Through the Brooklyn
Bridge. Distinctive characteristics emerge revealing the complex
role of the bridge as both symbol and metaphor, and as a place of
vantage, meeting and separation.
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