This volume contains 13 original essays exploring Rammstein's stage
performance and recorded works from multiple academic perspectives.
Topics range from Rammstein's connection with 19th century German
literature and their East German heritage to cannibalism and the
supernatural. The panoramic view of approaches to Rammstein's music
and performance goes beneath the surface and provides fan and
scholar alike with a deeper appreciation for the band, paving the
way for further studies in the field of Rammstein-ology.
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