More often than not, critics have looked upon Milton's great epic
not as a literary work but rather as a theological tract or a
display of Renaissance learning. In this book John Shawcross seeks
to redress that critical imbalance by examining the poem for its
literary values. In doing so he reveals the scope and depth of
Milton's poetic craftsmanship in his control of such elements as
structure, myth, style, and language; and he offers new approaches
to reading Paradise Lost as a literary masterpiece rather than a
relic of religious history.
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