What happens in the relationship between audience and performer?
What choices are made in the space of performance about how we
attend to others? A Strange Proximity examines stage presence as
key to thinking about performance and ethics. It is the first
phenomenological account of ethics generated from, rather than
applied to, contemporary theatrical productions. The ethical
possibilities of the stage, argues Jon Foley Sherman, rest not so
much in its objects-the performers and the show itself-as in the
"how" of attending to others. A Strange Proximity is a unique
perspective on the implications of attention in performance.
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