This ground-breaking study analyzes Beckett's television plays
in relation to the history and theory of television. It argues that
they are in dialogue with innovative television traditions
connected to Modernism in television, film, radio, theatre,
literature and the visual arts.
Using original research from BBC archives and manuscript
sources, the book provides new perspectives on the relationships
between Beckett's television dramas and the wider television
culture of Britain and Europe. It also compares and contrasts the
plays for television with Beckett's Film and broadcasts of his
theatre work including the recent Beckett on Film season. Chapters
deal with the production process of the plays, the broadcasting
contexts in which they were screened, institutions and authorship,
the plays' relationships with comparable programs and films, and
reaction to Beckett's screen work by audiences and critics.
It will be essential reading in literature and drama studies,
television historiography and for devotees of Beckett's work.
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