Weimar Cinema Examines three films of the postwar, stabilization,
and prefascist period: Dr. Mabuse, the Gambler (1922), People on
Sunday (1929), and Kuhle Wampe (1932). Drawing on the ideas of
Brecht, each chapter examines the way these films invite
sophisticated readings through the use of distinct visual and
narrative strategies. They also draw attention to the social
function of cinema in Germany's first republic.
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