At the beginning of the twentieth century, criminals, both
alleged and convicted, were routinely photographed and
fingerprinted-and these visual representations of their criminal
nature were archived for possible future use. At the beginning of
the twenty-first century, a plethora of new tools-biometrics, DNA
analysis, digital imagery, and computer databases-similarly provide
new ways for representing the criminal.
"Capturing the Criminal Image" traces how the act of
representing-and watching-is central to modern law enforcement.
Jonathan Finn analyzes the development of police photography in the
nineteenth century to foreground a critique of three identification
practices that are fundamental to current police work:
fingerprinting, DNA analysis, and surveillance programs and
databases. He shows these practices at work by examining specific
police and border-security programs, including several that were
established by the U.S. government after the terrorist attacks of
September 11, 2001. Contemporary law enforcement practices, he
argues, position the body as something that is potentially
criminal.
As Finn reveals, the collection and archiving of identification
data-which consist today of much more than photographs or
fingerprints-reflect a reconceptualization of the body itself. And
once archived, identification data can be interpreted and
reinterpreted according to highly mutable and sometimes dubious
conceptions of crime and criminality.
General
Imprint: |
University of Minnesota Press
|
Country of origin: |
United States |
Release date: |
November 2009 |
First published: |
November 2009 |
Authors: |
Jonathan Finn
|
Dimensions: |
216 x 140 x 13mm (L x W x T) |
Format: |
Paperback
|
Pages: |
200 |
ISBN-13: |
978-0-8166-5070-5 |
Categories: |
Books >
Social sciences >
General
|
LSN: |
0-8166-5070-5 |
Barcode: |
9780816650705 |
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