The author considers the Elizabethan playwright Ben Jonson a
realist and an acute observer of the transformation from feudalism
to capitalism. Many of the forms and purposes of Jonson's realism
resulted from the social dynamics of the London theater audience.
In this book, Haynes presents a detailed literary historical
argument about the sources and consequences of Jonson's realism. He
examines the entanglements of life and art in Jonson's time both
through a look at the life of that period and through insightful
readings of Jonson's plays. The book polemicizes against the moral
and formal pre-occupations of the last two generations of Jonson
criticism proceeding it; it is instead informed by the social
history and by the sociology of Pierre Bordieu and Norbert Elias.
General
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