Michael Rayback wanders from country to country with his Australian
wife, Claudia. Their final destination is Russia, where they settle
with two young children. Over time, Claudia begins to feel
marginalized in her life at home. She views Michael as a
house-husband and a slave to their daughters. In anger Claudia
turns to a Russian businessman with money and power. Interested in
Russian art, Claudia is attracted to Yuri's idea of smuggling icons
across the border into Finland. Claudia gets caught. Yuri gets
killed.
Claudia's defense at her trial is in the hands of an attractive
young attorney, one of Michael's acquaintances. Claudia is
suspicious, but Michael convinces her that Tanya is a brilliant
trial lawyer with an impressive record of wins. Tanya's strategy
rests on punishment, not on guilt or innocence. Central to Tanya's
argument is a psychological profile of Claudia in the context of
the Criminal Code of the Russian Federation.
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