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Deborah and Her Sisters - How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage (Hardcover)
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Deborah and Her Sisters - How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage (Hardcover)
Series: Jewish Culture and Contexts
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Total price: R1,298
Discovery Miles: 12 980
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Before Fiddler on the Roof, before The Jazz Singer, there was
Deborah, a tear-jerking melodrama about a Jewish woman forsaken by
her non-Jewish lover. Within a few years of its 1849 debut in
Hamburg, the play was seen on stages across Germany and Austria, as
well as throughout Europe, the British Empire, and North America.
The German-Jewish elite complained that the playwright, Jewish
writer S. H. Mosenthal, had written a drama bearing little
authentic Jewish content, while literary critics protested that the
play lacked the formal coherence of great tragedy. Yet despite its
lackluster critical reception, Deborah became a blockbuster, giving
millions of theatergoers the pleasures of sympathizing with an
exotic Jewish woman. It spawned adaptations with titles from Leah,
the Forsaken to Naomi, the Deserted, burlesques, poems, operas in
Italian and Czech, musical selections for voice and piano, a
British novel fraudulently marketed in the United States as the
original basis for the play, three American silent films, and
thousands of souvenir photographs of leading actresses from
Adelaide Ristori to Sarah Bernhardt in character as Mosenthal's
forsaken Jewess. For a sixty-year period, Deborah and its many
offshoots provided audiences with the ultimate feel-good experience
of tearful sympathy and liberal universalism. With Deborah and Her
Sisters, Jonathan M. Hess offers the first comprehensive history of
this transnational phenomenon, focusing on its unique ability to
bring Jews and non-Jews together during a period of increasing
antisemitism. Paying careful attention to local performances and
the dynamics of transnational exchange, Hess asks that we take
seriously the feelings this commercially successful drama provoked
as it drove its diverse audiences to tears. Following a vast paper
trail in theater archives and in the press, Deborah and Her Sisters
reconstructs the allure that Jewishness held in nineteenth-century
popular culture and explores how the Deborah sensation generated a
liberal culture of compassion with Jewish suffering that extended
beyond the theater walls.
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