In this study of Northwest Coast art, Jonathan Meuli has not only
outlined a history of ideas associated with Northwest Coast art
objects from pre-Contact time to the present day, but has also
examined the ways in which the physical location and contexts in
which the objects are produced has helped to determine their
meanings. Locating his linear historical narrative within a wider
exploration of ethnographic art ideas, which emphasizes links
across cultures, Meuli examines the differing attitudes towards
Northwest Coast material culture, particularly as these are
embodied in oral mythic narratives, collection methods and
architectural constructions.
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