What accounts for the persistence of the figure of the black
criminal in popular culture created by African Americans?
Unearthing the overlooked history of art that has often seemed at
odds with the politics of civil rights and racial advancement,
"Under a Bad Sign" explores the rationale behind this tradition of
criminal self-representation from the Harlem Renaissance to
contemporary gangsta culture.
In this lively exploration, Jonathan Munby takes a uniquely broad
view, laying bare the way the criminal appears within and moves
among literary, musical, and visual arts. Munby traces the legacy
of badness in Rudolph Fisher and Chester Himes's detective fiction
and in Claude McKay, Julian Mayfield, and Donald Goines's urban
experience writing. Ranging from Peetie Wheatstraw's gangster blues
to gangsta rap, he also examines criminals in popular songs.
Turning to the screen, the underworld films of Oscar Micheaux and
Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood
movie come under his microscope as well. Ultimately, Munby
concludes that this tradition has been a misunderstood aspect of
African American civic life and that, rather than undermining black
culture, it forms a rich and enduring response to being outcast in
America.
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