Drawn from Life, a multidisciplinary anthology, introduces readers
to a diverse range of filmmakers past and present who use the
animated image as a documentary tool. In doing so, it explores a
range of questions that preoccupy twenty-first-century film artists
and audiences alike: Why use animation to document? How do such
images reflect and influence our understanding and experience
of'reality'? From early cinema to present-day scientific research,
military uses, digital art and gaming, Drawn from Life casts new
light on the capacity of the moving image to act as a record of the
world around us.
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