Facing rising demands for human rights and the rule of law, the
Moroccan state fostered new mass media and cultivated more positive
images of the police, once the symbol of state repression,
reinventing the relationship between citizen and state for a new
era. Jonathan Smolin examines popular culture and mass media to
understand the changing nature of authoritarianism in Morocco over
the past two decades. Using neglected Arabic sources including
crime tabloids, television movies, true-crime journalism, and
police advertising, Smolin sheds new light on politics and popular
culture in the Middle East and North Africa.
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