"The Epic Rhapsode and His Craft" studies Homeric performance
from archaic to Roman imperial times. It argues that oracular
utterance, dramatic acting, and rhetorical delivery powerfully
elucidate the practice of epic rhapsodes. Attention to the ways in
which these performance domains informed each other over time
reveals a shifting dynamic of competition and emulation among
rhapsodes, actors, and orators that shaped their texts and their
crafts. A diachronic analysis of this web of influences illuminates
fundamental aspects of Homeric poetry: its inspiration and
composition, the notional fixity of its poetic tradition, and the
performance-driven textual fixation and writing of the Homeric
poems. It also shows that rhapsodic practice is best understood as
an evolving combination of revelation, interpretation, recitation,
and dramatic delivery.
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