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Posada Monografia (Paperback)
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Posada Monografia (Paperback)
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Originally published in 1930, "Posada: Monografia" is a facsimile
edition of the first monograph of the great Mexican illustrator and
engraver Jose Guadalupe Posada (1852-1913). Reprinted to coincide
with the 100th anniversary of his death, reproduces more than 400
of the most iconic prints from Posada's vast output, collected by
Pablo O'Higgins from those that could be located and identified at
the time. Posada and Manuel Manilla--a talented engraver who
greatly influenced Posada--were the two artists of their day who
best interpreted the lives and social attitudes of Mexican people.
Posada, in particular, is in the great tradition of illustrators
who double as political and social commentators (a tradition that
also includes Aubrey Beardsley and Honore Daumier). The images of
the high-spirited, at times macabre broadsheets reproduced in
"Posada: Monografia" include the famous "calaveras," or skeleton
creatures, along with illustrations for songs, "corridos"
(traditional ballads) and religious prayers. The skeletons in the
"barrios" were a metaphor for a corrupt society; Posada
supplemented his black humor with lampoons of venal politicians,
and, not surprisingly, was jailed on several occasions for his
transgressions. With their striking visual qualities, his ingenious
images did much to enrich the tradition of the popular Mexican
print. "Posada: Monografia" also includes an introduction by
Frances Toor, the legendary editor of "Mexican Folkways" magazine,
and an essay by Diego Rivera.
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