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The Reformation of the Image (Paperback, New edition)
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The Reformation of the Image (Paperback, New edition)
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With his 95 Theses, Martin Luther advanced the radical notion that
all Christians could enjoy a direct, personal relationship with
God--shattering years of Catholic tradition and obviating the need
for intermediaries like priests and saints between the individual
believer and God. The text of the Bible, the Word of God itself,
Luther argued, revealed the only true path to salvation--not
priestly ritual and saintly iconography.
But if words--not iconic images--showed the way to salvation, why
didn't religious imagery during the Reformation disappear along
with indulgences? The answer, according to Joseph Leo Koerner, lies
in the paradoxical nature of Protestant religious imagery itself,
which is at once both iconic and iconoclastic. Koerner masterfully
demonstrates this point not only with a multitude of Lutheran
images, many never before published, but also with a close reading
of a single pivotal work--Lucas Cranach the Elder's altarpiece for
the City Church in Wittenberg (Luther's parish). As Koerner shows,
Cranach, breaking all the conventions of traditional Catholic
iconography, created an entirely new aesthetic for the new
Protestant ethos.
In the Crucifixion scene of the altarpiece, for instance, Christ is
alone and stripped of all his usual attendants--no Virgin Mary, no
John the Baptist, no Mary Magdalene--with nothing separating him
from Luther (preaching the Word) and his parishioners. And while
the Holy Spirit is nowhere to be seen--representation of the divine
being impossible--it is nonetheless dramatically present as the
force animating Christ's drapery. According to Koerner, it is this
"iconoclash" that animates the best Reformation art.
Insightful andbreathtakingly original, "The Reformation of the
Image" compellingly shows how visual art became indispensable to a
religious movement built on words.
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