Music was a subject of considerable debate during the
Renaissance. The notion that music could be interpreted in a
meaningful way clashed regularly with evidence that music was in
fact profoundly promiscuous in its application and effects.
Subsequently, much writing in the period reflects a desire to ward
off music's illegibility rather than come to terms with its actual
effects. In Broken Harmony, Joseph M. Ortiz revises our
understanding of music's relationship to language in Renaissance
England. In the process he shows the degree to which discussions of
music were ideologically and politically charged.
Offering a historically nuanced account of the early modern
debate over music, along with close readings of several of
Shakespeare's plays (including Titus Andronicus, The Merchant of
Venice, The Tempest, and The Winter s Tale) and Milton s A Maske,
Ortiz challenges the consensus that music s affinity with poetry
was widely accepted, or even desired, by Renaissance poets.
Shakespeare more than any other early modern poet exposed the fault
lines in the debate about music s function in art, repeatedly
staging disruptive scenes of music that expose an underlying
struggle between textual and sensuous authorities. Such musical
interventions in textual experiences highlight the significance of
sound as an aesthetic and sensory experience independent of any
narrative function."
General
Imprint: |
Cornell University Press
|
Country of origin: |
United States |
Release date: |
February 2011 |
First published: |
2011 |
Authors: |
Joseph M Ortiz
|
Dimensions: |
235 x 155 x 24mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
280 |
ISBN-13: |
978-0-8014-4931-4 |
Categories: |
Books
|
LSN: |
0-8014-4931-6 |
Barcode: |
9780801449314 |
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