Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare and the Culture of Romanticism (Paperback)
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Shakespeare and the Culture of Romanticism (Paperback)
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The idea of Shakespearean genius and sublimity is usually
understood to be a product of the Romantic period, promulgated by
poets such as Coleridge and Byron who promoted Shakespeare as the
supreme example of literary genius and creative imagination.
However, the picture looks very different when viewed from the
perspective of the myriad theater directors, actors, poets,
political philosophers, gallery owners, and other professionals in
the nineteenth century who turned to Shakespeare to advance their
own political, artistic, or commercial interests. Often, as in John
Kemble's staging of The Winter's Tale at Drury Lane or John
Boydell's marketing of paintings in his Shakespeare Gallery,
Shakespeare provided a literal platform on which both artists and
entrepreneurs could strive to influence cultural tastes and points
of view. At other times, Romantic writers found in Shakespeare's
works a set of rhetorical and theatrical tools through which to
form their own public personae, both poetic and political. Women
writers in particular often adapted Shakespeare to express their
own political and social concerns. Taken together, all of these
critical and aesthetic responses attest to the remarkable
malleability of the Shakespearean corpus in the Romantic period. As
the contributors show, Romantic writers of all persuasions"Whig and
Tory, male and female, intellectual and commercial"found in
Shakespeare a powerful medium through which to claim authority for
their particular interests.
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