Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
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London and the Making of Provincial Literature - Aesthetics and the Transatlantic Book Trade, 18-185 (Hardcover)
Loot Price: R1,798
Discovery Miles 17 980
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London and the Making of Provincial Literature - Aesthetics and the Transatlantic Book Trade, 18-185 (Hardcover)
Series: Material Texts
Expected to ship within 12 - 19 working days
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In the early nineteenth century, London publishers dominated the
transatlantic book trade. No one felt this more keenly than authors
from Ireland, Scotland, and the United States who struggled to
establish their own national literary traditions while publishing
in the English metropolis. Authors such as Maria Edgeworth, Sydney
Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper
devised a range of strategies to transcend the national rivalries
of the literary field. By writing prefaces and footnotes addressed
to a foreign audience, revising texts specifically for London
markets, and celebrating national particularity, provincial authors
appealed to English readers with idealistic stories of
cross-cultural communion. From within the messy and uneven
marketplace for books, Joseph Rezek argues, provincial authors
sought to exalt and purify literary exchange. In so doing, they
helped shape the Romantic-era belief that literature inhabits an
autonomous sphere in society. London and the Making of Provincial
Literature tells an ambitious story about the mutual entanglement
of the history of books and the history of aesthetics in the first
three decades of the nineteenth century. Situated between local
literary scenes and a distant cultural capital, enterprising
provincial authors and publishers worked to maximize success in
London and to burnish their reputations and build their industry at
home. Examining the production of books and the circulation of
material texts between London and the provincial centers of Dublin,
Edinburgh, and Philadelphia, Rezek claims that the publishing
vortex of London inspired a dynamic array of economic and aesthetic
practices that shaped an era in literary history.
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