A shamelessly didactic novel, read by many who would never have
picked up a copy of Plato in anger, Sophie's World caught the
imagination of the English language reading public by being very
different to anything being written in English at the time. (This
may still be the case, hence the popularity of European writers of
intellectual diversions, such as Gaarder and Umberto Eco.) Now,
with Maya, Gaarder returns to the philosophical entertainment, and
his scope is as big as ever; bigger, in fact, since, as opposed to
simply the playful history of the thought processes of homo
sapiens, Maya is concerned with the struggle for self-awareness, in
evolution and in art. The island of Taveuni, the only island on
Earth where the visitor can straddle today and tomorrow across the
international dateline, is the setting for a curious meeting of
minds, including John, an English novelist, Frank, a Norwegian
evolutionary biologist, Ana, a Spanish flamenco dancer, and her TV
producer partner Jose; a meeting that spills over into further
apparently coincidental encounters in Spain, where Frank attempts
reconciliation with his estranged wife, and meets Ana and Jose. The
gentle, almost benign scheming of the protagonists (another
reminiscence of Sophie's World) results in a fine, rich mixture of
science and art, curiosity and the satisfaction of understanding
that is Gaarder's trademark. Gaarder's great strength as a narrator
is his profound awareness that the act of understanding is as
powerful and satisfying as any emotion, and his novels are
intriguing journeys towards greater understanding. Maya is also
about love and loss, acts of creation and fear of extinction, and
it's about the necessity for forgiveness and redemption. It's about
building worlds, and inhabiting worlds of which you yourself are a
facet. It's about so many things you'd think it would rupture its
bindings and spill out into the real world; and it's about that as
well. Gaarder is a writer of books that are almost incapable of
summary; the best advice I can give is, go and read. Review by Alex
Benzie the author of The Angle of Incidence. (Kirkus UK)
A mysterious novel by the author of the international bestseller
SOPHIE'S WORLD. A chance meeting on the Fijian island of Taveuni is
the trigger for a fascinating and mysterious novel that intertwines
the stories of John Spooke, an English author who is grieving for
his dead wife; Frank Andersen, a Norwegian evolutionary biologist
estranged from his wife Vera; and an enigmatic Spanish couple, Ana
and Jose, who are absorbed in their love for each other. Why does
Ana bear such a close resemblance to the model for Goya's famous
Maja paintings? What is the significance of the Joker as he steps
out of his pack of cards? As the action moves from Fiji to Spain,
from the present to the past, unfolding further stories within the
stories, the novel reveals an astonishing richness and complexity.
As bold and imaginative in its sweep as Sophie's World, it shows
again that Jostein Gaarder's unique and special gift is to make us
wonder at the awe-inspiring mystery of the universe.
General
| Imprint: |
Weidenfeld & Nicolson
|
| Country of origin: |
United Kingdom |
| Release date: |
July 2001 |
| First published: |
July 2001 |
| Authors: |
Jostein Gaarder
|
| Dimensions: |
198 x 129 x 22mm (L x W x T) |
| Format: |
Paperback - B-format
|
| Pages: |
344 |
| Edition: |
Superlead Ed |
| ISBN-13: |
978-0-7538-1146-7 |
| Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
Promotions
|
| LSN: |
0-7538-1146-4 |
| Barcode: |
9780753811467 |
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