Leading scholars in the interdisciplinary field of geo-spatial
visual studies examine the social experience of cinema and the
different ways in which film production developed as a commercial
enterprise, as a leisure activity, and as modes of expression and
communication. Their research charts new pathways in mapping the
relationship between film production and local film practices,
theatrical exhibition circuits and cinema going, creating new forms
of spatial anthropology. Topics include cinematic practices in
rural and urban communities, development of cinema by amateur
filmmakers, and use of GIS in mapping the spatial development of
film production and cinema going as social practices.
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