Authenticity is one of the most crucial, but also most contested
concepts in literary and cultural studies. Hollowed out by
postmodernist theory, it paradoxically enough persists as an
important backdrop for the discussion of literature, film, and the
visual arts. The essays in this volume explore perspectives on
authenticity and case studies dealing with "the authentic". They
thereby seek to show how the paradoxical persistence of
authenticity in contemporary critical discourse can be turned into
a fruitful point of departure for an analysis of literary texts,
but also films, and the visual arts.
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