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After Debussy - Music, Language, and the Margins of Philosophy (Hardcover)
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After Debussy - Music, Language, and the Margins of Philosophy (Hardcover)
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Classical music shows a close relationship to language, and both
musicology and philosophy have tended to approach music from that
angle, exploring it in terms of expression, representation, and
discourse. This book turns that idea on its head. Focusing on the
music of Debussy and its legacy in the century since his death,
After Debussy offers a groundbreaking new perspective on
twentieth-century music that foregrounds a sensory logic of sound
over quasi-linguistic ideas of structure or meaning. Author Julian
Johnson argues that Debussy's music exemplifies this idea,
influencing the music of successive composers who took up the
mantle of emphasizing sound over syntax, sense over signification.
In doing so, this music not only anticipates a central problem of
contemporary thought-the gap between language and our embodied
relation to the world-but also offers a solution. With a readable
narrative structure grounded in an impressive body of literature,
After Debussy ranges widely across French music, demonstrating the
impact of Debussy's music on composers from Faure and Ravel to
Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly
through a set of French writers and philosophers, from Mallarme and
Proust to Merleau-Ponty, Jankelevitch, Derrida, Lyotard and Nancy,
and even draws from the visual arts to help embody key ideas. In
accessibly tackling substantial ideas of both musicology and
philosophy, this book not only presents bold new ways of
understanding each discipline but also lays the groundwork for
exciting new discourse between them.
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