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Bartok and the Grotesque - Studies in Modernity, the Body and Contradiction in Music (Hardcover, New edition)
Loot Price: R3,873
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Bartok and the Grotesque - Studies in Modernity, the Body and Contradiction in Music (Hardcover, New edition)
Series: Royal Musical Association Monographs
Expected to ship within 12 - 17 working days
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The grotesque is one of art's most puzzling figures -
transgressive, comprising an unresolveable hybrid, generally
focussing on the human body, full of hyperbole, and ultimately
semantically deeply puzzling. In Bluebeard's Castle (1911), The
Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev.
1931) and Cantata Profana (1930), BartA(3)k engaged scenarios
featuring either overtly grotesque bodies or closely related
transformations and violations of the body. In a number of
instrumental works he also overtly engaged grotesque satirical
strategies, sometimes - as in Two Portraits: 'Ideal' and
'Grotesque' - indicating this in the title. In this book, Julie
Brown argues that BartA(3)k's concerns with stylistic hybridity
(high-low, East-West, tonal-atonal-modal), the body, and the
grotesque are inter-connected. While BartA(3)k developed each
interest in highly individual ways, and did so separately to a
considerable extent, the three concerns remained conceptually
interlinked. All three were thoroughly implicated in cultural
constructions of the Modern during the period in which BartA(3)k
was composing.
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