Examining colonial art through the lens of transculturation, the
essays in this collection assess painting, sculpture, photography,
illustration and architecture from 1770 to 1930 to map these art
works' complex and unresolved meanings illuminated by the concept
of transculturation. Authors explore works in which
transculturation itself was being defined, formed, negotiated, and
represented in the British Empire and in countries subject to
British influence (the Congo Free State, Japan, Turkey) through
cross-cultural encounters of two kinds: works created in the
colonies subject over time to colonial and to postcolonial
spectators' receptions, and copies or multiples of works that
traveled across space located in several colonies or between a
colony and the metropole, thus subject to multiple cultural
interpretations.
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