Winner of the Pulitzer Prize, the first woman playwright to win
a Tony Award, Wendy Wasserstein was a Broadway luminary. But with
her high-pitched giggle and unkempt curls, she projected an image
of warmth and familiarity. Everyone knew Wendy Wasserstein. Or
thought they did. In "Wendy and the Lost Boys, "Salamon delicately
pieces together the many fractured narratives of Wendy's life--the
stories (often contradictory) that she shared amongst friends and
family, the half truths of her plays and essays, the confessions
and camouflage present even in her own journal writing--to reveal
Wendy's most expertly crafted character: herself.
Born in Brooklyn on October 18, 1950 to Polish Jewish immigrant
parents, Wendy was the youngest of Lola and Morris Wasserstein's
five children. Her mother had big dreams for her children, and they
didn't disappoint: Sandra, Wendy's glamorous sister, became a
high-ranking corporate executive at a time when Fortune 500
companies were an impenetrable boys club. Their brother Bruce
became a billionaire superstar of the investment banking world. Yet
behind the family's remarkable success was a fiercely guarded world
of private tragedies.
Wendy perfected the family art of secrecy while cultivating a
densely populated inner circle. Her long time friends included
theater elite such as playwright Christopher Durang, Lincoln Center
Artistic Director Andre Bishop, "New York Times" theater critic
Frank Rich, the many women of the theater for whom she served as
both mentor and ally, and countless others. Yet almost no one knew
that Wendy was pregnant when, at age forty-eight, she was rushed to
Mount Sinai Hospital to deliver Lucy Jane three months premature.
The paternity of her daughter remains a mystery. At the time of
Wendy's tragically early death less than six years later, very few
were aware that she was gravely ill. The cherished confidante to so
many, Wendy privately endured her greatest heartbreaks alone.
At once a moving portrait of an uncommon woman, and a nuanced
study of the generation she came to represent, "Wendy and The Lost
Boys" uncovers the magic of Wendy's work. A daughter of the 1950s,
an artist that came of age during the freewheeling 1970s, a power
woman in 1980s New York, and a single mother at the turn of the
century, Wendy's very life spoke to the tensions of an era of great
change, for women in particular. Salamon brings each distinct
moment to vibrant life, always returning to Wendy's works--"The
Heidi Chronicles" and others--to show her in the free space of the
theater. Here Wendy spoke in the most intimate of terms about
everything that matters most: family and love, dreams and
devastation. And that is the Wendy of Neverland, the Wendy who will
never grow old.
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