The sixties were a time when anti-disciplinary politics blurred the
boundaries between the political and the aesthetic, and, according
to some critics, the time when the possibility for revolution died.
In this book, first published in 1998, Stephens questions the
frameworks which inform commonplace understandings of this period,
arguing that the most distinctive forms of sixties protest are
often marginalized or excluded from view. She looks at the
problematic ways in which sixties radicalism has been narrativised,
and critically evaluates the modernist and postmodern impulses that
can be discerned in the anti-disciplinary protest of the time.
Stephens develops a new theoretical framework for conceptualizing
the relationship between the sixties and later political and
theoretical developments. Drawing on broad-ranging, lively and
often rare sources, this is a provocative contribution to
contemporary social theory and cultural studies.
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