"Why bother to rob a bank, when you can own a bank?" asked
Bertold Brecht. The question is reiterated in the very Brechtian
"Love, Crime and Johannesburg," the story of Jimmy 'Long Legs'
Mangane, a people's poet involved in the struggle, who is accused
of robbing a bank. He passionately asserts his innocence, claiming
to work for the "secret secret service." Lewis, his old friend and
comrade from the struggle, now owns a bank. How did this happen?
The man of the struggle is now a man of accounts. A man of the
nineties. Part of the cellphone generation. Added to the mix is an
old-style gangster, two girlfriends, a Jewish father and a very
unusual Chief of Police. Described as one of the first genuine
post-apartheid plays, "Love, Crime and Johannesburg" is a witty,
lighthearted account of life in the City of Gold at the turn of the
millennium. A must for all students of South African theatre.
Winner of the 2000 Vita Award for best script of a new South
African Play.
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