This the first sustained study of the interest of John Ruskin in
the theatre of his time. It examines Ruskin's active engagement
with and influence on the Victorian popular theatre. Ruskin was an
enthusiastic and catholic theatre-goer, enjoying pantomime as much
as Shakespeare. Through the lens of Ruskin's discussions of
pantomime, melodrama, Shakespearean tragedy, and painting and the
stage, Newey and Richards offer a new view of the late Victorian
stage focusing on London's West End in its heyday.
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