Set in the long-lost City of Victoria (a fictional world similar
to Hong Kong), "Atlas" is written from the unified perspective of
future archaeologists struggling to rebuild a thrilling metropolis.
Divided into four sections -- "Theory," "The City," "Streets," and
"Signs" -- the novel reimagines Victoria through maps and other
historical documents and artifacts, mixing real-world scenarios
with purely imaginary people and events while incorporating
anecdotes and actual and fictional social commentary and
critique.
Much like the quasi-fictional adventures in map-reading and
remapping explored by Paul Auster, Jorge Luis Borges, and Italo
Calvino, Dung Kai-cheung's novel challenges the representation of
place and history and the limits of technical and scientific media
in reconstructing a history. It best exemplifies the author's
versatility and experimentation, along with China's rapidly
evolving literary culture, by blending fiction, nonfiction, and
poetry in a story about succeeding and failing to recapture the
things we lose. Playing with a variety of styles and subjects, Dung
Kai-cheung inventively engages with the fate of Hong Kong since its
British "handover" in 1997, which officially marked the end of
colonial rule and the beginning of an uncharted future.
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